sábado, 13 de dezembro de 2014

Cento e quatorze bandas sonoras originais elegíveis ao Óscar 2015


A Academia norte-americana de Artes e Ciências Cinematográficas divulgou a lista de cento e quatorze bandas sonoras originais que são elegíveis ao Óscar 2015. Estes trabalhos serão sujeitos à votação de todos os membros do ramo musical da Academia que votarão em cinco deles, por ordem de preferência. Os cinco que receberem o número mais alto de votos serão os nomeados ao Óscar 2015 de Melhor Banda Sonora Original. Os nomeados serão conhecidos a 15 de Janeiro.

Este ano, Alexandre Desplat é o compositor com mais trabalhos elegíveis, num total de cinco. Seguem-se Christophe Beck e Marco Beltrami com quatro, enquanto que Henry Jackman e James Newton Howard ficaram-se pelos três. O português Nuno Maló encontra-se na lista de elegibilidade, pela sua composição original para No God, No Master.

  • “American Revolutionary: The Evolution of Grace Lee Boggs,” Vivek Maddala
  • “Anita,” Lili Haydn
  • “Annabelle,” Joseph Bishara
  • “At Middleton,” Arturo Sandoval
  • “Atlas Shrugged: Who Is John Galt?,” Elia Cmiral
  • “Bears,” George Fenton
  • “Belle,” Rachel Portman
  • “Big Eyes,” Danny Elfman
  • “Big Hero 6,” Henry Jackman
  • “The Book of Life,” Gustavo Santaolalla e Tim Davies
  • “The Boxtrolls,” Dario Marianelli
  • “Brick Mansions,” Trevor Morris
  • “Cake,” Christophe Beck
  • “Calvary,” Patrick Cassidy
  • “Captain America: The Winter Soldier,” Henry Jackman
  • “The Case against 8,” Blake Neely
  • “Cheatin’,” Nicole Renaud
  • “Dawn of the Planet of the Apes,” Michael Giacchino
  • “The Disappearance of Eleanor Rigby: Them,” Son Lux
  • “Divergent,” Tom Holkenborg
  • “Dolphin Tale 2,” Rachel Portman
  • “Dracula Untold,” Ramin Djawadi
  • “Draft Day,” John Debney
  • “The Drop,” Marco Beltrami and Buck Sanders
  • “Earth to Echo,” Joseph Trapanese
  • “Edge of Tomorrow,” Christophe Beck
  • “Endless Love,” Christophe Beck and Jake Monaco
  • “The Equalizer,” Harry Gregson-Williams
  • “Exodus: Gods and Kings,” Alberto Iglesias
  • “The Fault in Our Stars,” Mike Mogis
  • “Finding Vivian Maier,” J. Ralph
  • “Fury,” Steven Price
  • “Garnet’s Gold,” J. Ralph
  • “Girl on a Bicycle,” Craig Richey
  • “The Giver,” Marco Beltrami
  • “Godzilla,” Alexandre Desplat
  • “Gone Girl,” Trent Reznor e Atticus Ross
  • “The Good Lie,” Martin Léon
  • “The Grand Budapest Hotel,” Alexandre Desplat
  • “The Great Flood,” Bill Frisell
  • “Hercules,” Fernando Velázquez
  • “The Hero of Color City,” Zoë Poledouris-Roché e Angel Roché Jr.
  • “The Hobbit: The Battle of the Five Armies,” Howard Shore
  • “The Homesman,” Marco Beltrami
  • “Horrible Bosses 2,” Christopher Lennertz
  • “How to Train Your Dragon 2,” John Powell
  • “The Hundred-Foot Journey,” A.R. Rahman
  • “The Hunger Games: Mockingjay — Part 1,” James Newton Howard
  • “I Origins,” Will Bates e Phil Mossman
  • “The Imitation Game,” Alexandre Desplat
  • “Inherent Vice,” Jonny Greenwood
  • “Interstellar,” Hans Zimmer
  • “The Interview,” Henry Jackman
  • “Into the Storm,” Brian Tyler
  • “Jal,” Sonu Nigam e Bickram Ghosh
  • “The Judge,” Thomas Newman
  • “Kill the Messenger,” Nathan Johnson
  • “Kochadaiiyaan,” A.R. Rahman
  • “Legends of Oz: Dorothy’s Return,” Toby Chu
  • “The Lego Movie,” Mark Mothersbaugh
  • “The Liberator,” Gustavo Dudamel
  • “Life Itself,” Joshua Abrams
  • “Living Is Easy With Eyes Closed,” Pat Metheny
  • “Lucy,” Eric Serra
  • “Maleficent,” James Newton Howard
  • “The Maze Runner,” John Paesano
  • “Merchants of Doubt,” Mark Adler
  • “Million Dollar Arm,” A.R. Rahman
  • “A Million Ways to Die in the West,” Joel McNeely
  • “Mr. Peabody & Sherman,” Danny Elfman
  • “Mr. Turner,” Gary Yershon
  • “The Monuments Men,” Alexandre Desplat
  • “A Most Violent Year,” Alex Ebert
  • “My Old Lady,” Mark Orton
  • “Night at the Museum: Secret of the Tomb,” Alan Silvestri
  • “Nightcrawler,” James Newton Howard
  • “No God, No Master,” Nuno Maló
  • “Noah,” Clint Mansell
  • “Non-Stop,” John Ottman
  • “The One I Love,” Danny Bensi e Saunder Jurriaans
  • “Ouija,” Anton Sanko
  • “Paddington,” Nick Urata
  • “Penguins of Madagascar,” Lorne Balfe
  • “Pompeii,” Clinton Shorter
  • “The Purge: Anarchy,” Nathan Whitehead
  • “The Railway Man,” David Hirschfelder
  • “Red Army,” Christophe Beck e Leo Birenberg
  • “Ride Along,” Christopher Lennertz
  • “Rocks in My Pockets,” Kristian Sensini
  • “Rosewater,” Howard Shore
  • “St. Vincent,” Theodore Shapiro
  • “The Salt of the Earth,” Laurent Petitgand
  • “Selma,” Jason Moran
  • “The Signal,” Nima Fakhrara
  • “Snowpiercer,” Marco Beltrami
  • “Song of the Sea,” Bruno Coulais
  • “Still Alice,” Ilan Eshkeri
  • “The Tale of the Princess Kaguya,” Joe Hisaishi
  • “Teenage Mutant Ninja Turtles,” Brian Tyler
  • “That Awkward Moment,” David Torn
  • “The Theory of Everything,” Jóhann Jóhannsson
  • “This Is Where I Leave You,” Michael Giacchino
  • “300: Rise of an Empire,” Tom Holkenborg
  • “Tracks,” Garth Stevenson
  • “Transformers: Age of Extinction,” Steve Jablonsky
  • “22 Jump Street,” Mark Mothersbaugh
  • “Unbroken,” Alexandre Desplat
  • “Under the Skin,” Mica Levi
  • “Virunga,” Patrick Jonsson
  • “Visitors,” Philip Glass
  • “A Walk among the Tombstones,” Carlos Rafael Rivera
  • “Walking With the Enemy,” Timothy Williams
  • “Wild Tales,” Gustavo Santaolalla
  • “X-Men: Days of Future Past,” John Ottman

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